The VMA’s Got In A Drunken Brawl At My House

August 29, 2011

Back in high school, my close group of friends was pretty tight–maybe about 5 of us.  But my looser group was a lot bigger, maybe about 25 guys.  Whenever there was a party or something interesting going on, we would all call or page each other and make sure everyone would know about it, and usually roll together.  There were lots of benefits to the bigger group: some of the guys had a way to get liquor for all of us, some didn’t really drink and could be the drivers, and there were a lot of us in the case someone got in a fight or whatever.

But there was a drawback to the big group: there were always one or two jackasses.  Maybe they weren’t jackasses all the time, but once they had a few drinks, they inevitably ended up showing their true colors, embarrassing themselves and some of us in the meantime.  And the next day at school, everyone was talking about them.

Yesterday, I didn’t watch the VMAs (again).  I wasn’t avoiding it, I was hanging out with some friends, and forgot to tune in.  But avoiding the show is nearly impossible.  Because, like my high school friends, people can’t help but talk about the jackasses:

@itsthereal: “Whoever said the VMAs were broke? Cause it always seems fixed.”

@phoenixlp: “#VMAconclusion: not everyone has mastered what “amazing” and “incredible” mean.”

@joncaramanica: “choreography by Criss Angel”

@PigsAndPlans: “Ugh, Wayne. What are you doing with your life?”

@iancr: “I wish I could dig wayne but I’m too old and have loved hip hop for way too long. I tried. Hard.”

@JensenClan88: “That was like if I smashed my Guitar Hero guitar after I scored a 32% on Easy #VMAs”

and my favorite:

@brokemogul “you look stupid”

By now, most of us have heard about Adam Levine’s tweet (“the VMA’s. one day a year when MTV pretends to still care about music. I’m drawing a line in the sand. fuck you VMA’s.”)  All respect due, but c’mon dude.  MTV isn’t really pretending at all.  They (the flagship channel at least) haven’t been pretending to be about music for a long time, and the VMA’s have really never been about giving awards away for real musicianship, talent, and songs.  They’re just the big drunk trainwreck at the party: you can’t believe what you’re watching, and love to talk about it when it’s over.

mike

DEF SPAM: Watch The Throne.

August 10, 2011

I sat down at my laptop earlier this morning, ready to take care of a few emails before sitting down to work on some new songs.  Like most people, I always feel like I’m playing catch-up when it comes to emails.  There are always too many, and I can never make it through them all. Halfway down the screen, I clicked on one from “Kanye West,” (who I don’t know personally).

A long time ago, I remember filling my email info in on his website, in order to download some tracks he was giving away.  So I guessed the email was going to be something promotional about the new album with Jay-Z.  Instead, this is what popped up (sorry for the long screen grab, but I wanted you to get the point):

So.

Dear Record Label Dude Who Green Lit This Email,

I guess it’s too late for me to inform you, but this is a mistake people figured out like 10 years ago.  You are invited to join us in the modern world, where “spamming your fanbase” is on a level somewhere between “posting topless duckface self pics on Facebook” and “Jeezus, LulzSec just posted my confidential home and credit card information.”  You are what’s wrong with the music industry.

Def Jam appears to be the home of the culprit here.  At least, their name is at the top of the page.  It’s unbelievable: they hit me with the “If you like KANYE WEST, you’re sure to love THESE OTHER GUYS TOO?” and they have the balls to ask if I want to “ensure delivery” or “forward to a friend.”  I know who Ace Hood, Frank Ocean, and Young Jeezy are, bonehead.  If I wanted to know what was new with them, I would have gone to their websites, not Kanye West’s.

I know, you want to say: “Mike, just click the “unsubscribe.”  But the point is, what about the fans who WANT Kanye updates, but are now having to decide whether or not to unsubscribe because Kanye West is spamming them. And when they do, they get disconnected from the artist they chose to follow–and more importantly, they hesitate next time an artist asks for their email address.  Which affects the rest of us.

When I put my email address down for anything these days, it’s the equivalent of adding them on Twitter.  If my feed suddenly starts getting full of your updates on “I just ate something” and “here’s what’s on TV,” guess what?  Unfollow.

So for the record: what happened here will not happen to you when you get something on www.linkinpark.com.  If you go to our websites to buy, watch, or download something: we treat your information with the utmost respect.  We have no intention of frequently emailing you, spamming you, or giving your information away to a third party.  Your time is too valuable and your Inbox is too crowded as it is.

 

mike

REMIX! Wednesday Was A Good Day (Video)

June 25, 2011

I tweeted about this video a couple weeks ago–an updated Silicon Valley version of “Today Was A Good Day.”  I thought the Jambox version was funny, but I wanted to remix the track and add a little more of the Ice Cube original.  Enjoy, gangsta.

mike

The New King Of Street Art

April 30, 2011

Muchas gracias to Charlie Bravo for emailing me this today.

mike

Shinoda Sketchbook, 1989

March 9, 2011

Just found this in a box in one of my closets today. This is the cover of my sketchbook, from 1987-89 (ish). Some of this is not my writing–I don’t know whose it is. But I think the funniest part is that there are logos of Bon Jovi, Cinderella, and Ratt, all crossed out. And Oaktown’s 357 made it into the mix somehow. Lucky there was no internet at the time, or my Mom would have Googled The 2 Live Crew and consequently thrown out my entire cassette collection.

mike

F You, Baby.

February 19, 2011
mike

Tune in to SNL right now, we’re on.

February 5, 2011

Linkin Park on Saturday Night Live:

Waiting For The End: http://bit.ly/eQvJei

When They Come For Me: http://bit.ly/gTgF32

BTW, this is where the lasers from our SNL performance came from:

http://www.nbc.com/saturday-night-live/video/laser-cats/2925/

mike

More Great Graffiti

February 4, 2011

Found this image to add to my “Great Graffiti” set.

Stay classy, New York City.

mike

My New Favorite Chinese Restaurant

December 6, 2010

Dave: “I see they’ve heard of
me.”

mike

Linkin Park Demands Insane Stuff In Order To Play A Show

November 3, 2010

Thanks to LPLive.net, I just read a Linkin Park news article that may be one of the funniest I’ve seen.  It’s a roughly translated version (thanks, Google!) of an Israeli piece detailing “Linkin Park’s demands” for the performance.  This is what’s traditionally called a “rider” for the show; it details the things the band needs from day to day–every day–at the venue, to maintain normalcy and regularity as they travel on tour.  Here’s what ynet.co.il listed:

Linkin Park demands:

  • “A sterile zone from smoking and alcohol,”
  • “Personal rooms of the band,”
  • “[Behind special rooms], a gym,”
  • “Sausages, Belgian waffles with maple syrup oatmeal porridge,”
  • “A package of throat,”
  • “Food for eight days,”
  • “100 towels and 24 black and yellow, hung on special racks made of metal and gold, so they can see the twinkling in the dark suspension”

Apparently, if Linkin Park doesn’t get 124 towels of specific colors, hung on twinkling racks of metal and gold, we won’t go on stage.

I need to start asking the other guys about this request list, because I’ve never seen it backstage, and I want to know where the hell to find it.  Two reasons.  One: I would love to see what those racks of metal and gold look like.  I bet they’re amazing.

And two: I want to know what a “package of throat” is.

Throat?

mike